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Why is Emerald Fennell?
“As a clearly intelligent and talented artist, why [are you] incapable of imagining a story with an interracial relationship?”
by
P.J. Slark
(
reviews
)
20.5.2026
A Kiss Is the Beginning of Cannibalism
On 4B, Ozempic, and Losing Your Appetite
by
Bianca Padova
(
essays
)
20.5.2026
To be Cringe is to be Free
The Radical Joy of Addison Rae
by
Ella Simone
(
essays
)
20.5.2026
Hyper-Femininity and Simulation in Post-Internet Contemporary Art
Contemporary artists are using hyper-feminine aesthetics to blur the line between performance and identity.
by
Imogen Levin
(
essays
)
20.5.2026
Vindictive Survival
On dragging ugly trauma into the spotlight and insisting on making it beautiful
by
Ella Simone
(
essays
)
20.5.2026
The Political Implications of the Selfie
The selfie is neither simply a symptom of narcissistic capitalism nor straightforwardly a tool of the oppressed
by
Isobel Slocombe
(
essays
)
20.5.2026
Between Belonging and Singularity
In an age where identity is increasingly performed, curated, and endlessly reproduced online, what does it mean to remain genuinely singular?
by
Mia Newberry
(
essays
)
5.5.2026
The Spectacle of Femininity in Crisis
Miss Piggy, the Makeover, and the Hysteric in Revolt
by
Matt Morris
(
essays
)
5.5.2026
Another Autist Crashes Out Due to Office Job
The Wework is just an office space, but to me… to me it represents so much more.
by
Aiden Cahill
(
essays
)
23.4.2026
The Pitiful Veiling of Emily and Jane
Hyperreality in Bridgerton and “Wuthering Heights”.
by
Will Dupere
(
essays
)
23.4.2026
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