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Blindcasting: All My Sons
“These actors don’t sound as if they were raised anywhere near each other, they sound as if they were assembled by an esteemed director to create an award-winning smash hit revival.”
by
P.J. Slark
(
reviews
)
31.5.2026
The Exhausted Image
Fashion in the Age of Cultural Disintegration
by
Marianna Fioretti
(
essays
)
27.5.2026
ORTOLAN BUNTING
A short story on predatory desire
by
Greer Ohlsson
(
fiction
)
24.5.2026
Why is Emerald Fennell?
“As a clearly intelligent and talented artist, why [are you] incapable of imagining a story with an interracial relationship?”
by
P.J. Slark
(
reviews
)
20.5.2026
A Kiss Is the Beginning of Cannibalism
On 4B, Ozempic, and Losing Your Appetite
by
Bianca Padova
(
essays
)
20.5.2026
To be Cringe is to be Free
The Radical Joy of Addison Rae
by
Ella Simone
(
essays
)
20.5.2026
Hyper-Femininity and Simulation in Post-Internet Contemporary Art
Contemporary artists are using hyper-feminine aesthetics to blur the line between performance and identity.
by
Imogen Levin
(
essays
)
20.5.2026
Vindictive Survival
On dragging ugly trauma into the spotlight and insisting on making it beautiful
by
Ella Simone
(
essays
)
20.5.2026
The Political Implications of the Selfie
The selfie is neither simply a symptom of narcissistic capitalism nor straightforwardly a tool of the oppressed
by
Isobel Slocombe
(
essays
)
20.5.2026
Between Belonging and Singularity
In an age where identity is increasingly performed, curated, and endlessly reproduced online, what does it mean to remain genuinely singular?
by
Mia Newberry
(
essays
)
5.5.2026
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