What if the person who could teach us how to recover is the person we were before we learned to be afraid?

by

Eilean Lough-Phare

22.10.2026

A retrospective of The Florida Project post Anora fame

by

Charlotte Baxter

22.10.2026

Agnès Varda and the existential subjectivity of women walking

by

Charlotte Baxter

22.10.2026

Sofia Montrone’s Nymph: A mix of peach juice and Homer

by

A.R Gallagher

22.10.2026

In their collaborative directorial debut, Artemisia Meinero and Camilla Isoldo craft a dreamlike meditation on desire and the aching uncertainty of becoming.

by

Eilean Lough-Phare

28.9.2026

The selfie is neither simply a symptom of narcissistic capitalism nor straightforwardly a tool of the oppressed

by

Isobel Slocombe

20.5.2026

In an age where identity is increasingly performed, curated, and endlessly reproduced online, what does it mean to remain genuinely singular?

by

Mia Newberry

5.5.2026